This one just in from a dear dear friend:
"…where does a committed woman writer go? Finding a voice, searching for words and sentences: say something, one thing, or no thing: tie/untie, read/unread, discard their forms; scrutinize the grammatical habits of your writing and decide for yourself whether they free or repress. Again, order(s). Shake syntax, smash the myths, and if you lose, slide on, unearth some new linguistic paths. Do you surprise. Do you shock. Do you have a choice? " (Trinh T. Min-ha 1989, 20).
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